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Grateful Dead Live at The Spectrum on 1983-04-25




Set 1

Jack Straw, Friend Of The Devil, Little Red Rooster, Brown Eyed Women, Cassidy, Loser, My Brother Esau, China Cat Sunflower-> I Know You Rider

Set 2

Touch Of Gray, Playin' In The Band-> Terrapin Station-> Drums-> The Wheel-> Playin' In The Band-> Goin' Down The Road Feelin' Bad-> Sugar Magnolia, E: Satisfaction


Collection GratefulDead
Band/Artist Grateful Dead
Venue The Spectrum
Location Philadelphia, PA

Source (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90)
Lineage Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24
Transferred by Charlie Miller

Notes

Notes:
-- I was patched out of the lead deck (Sony D5)
-- We were sitting 10 rows FOB on the right/center aisle
-- I lost my Set 2 master so this is all I have left
-- Thanks to Joe B. Jones for his help with the pitch correction

Reviews

Reviewer: DMT - - April 8, 2012
Subject: thank you
sounds good! Nice 'Loser'
Reviewer: stratocaster - - April 3, 2012
Subject: GDTRFB
nice upgrade on the audience, solid show all around and one of the best going down the roads that you're going to hear post 71...
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Source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby)
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/Loge Row 6 Row FF Seat 617/6 Feet High)> Sony TC D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Darby And First Generation Tape For Set 2; Set 1:SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Set 2:2 Nakamichi CM300/CP4 Shotguns And 1 Nakamichi CM300/CP1 (DFC Row 2 Balcony/3.5 Feet High)>Sony Mixer>Sony TC-D5M Sony TC-D5M>Sony TC-D5M,Tape Maxell XLII-S (Set 2 Master Tape Destroyed); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software